蘇州藝圃導(dǎo)游詞（精選5篇）

蘇州藝圃導(dǎo)游詞 篇1

　　藝圃位于蘇州市文衙弄。藝圃始建于明嘉靖年間，袁祖庚建醉穎堂，題門額“城市山林”。萬歷時(shí)為文徵明曾孫文震孟所得，堂名世綸，園名藥圃。清初歸姜埰，更名頤圃，又稱敬亭山房，其子姜實(shí)節(jié)易園名為藝圃。此后屢易主。道光三、四年，吳姓曾予葺新。道光十九年，園宅歸綢業(yè)同人，名七襄公所，重加修葺。此園保持明末清初景觀風(fēng)貌和部分建筑，是研究園林史的重要實(shí)例。

　　藝圃現(xiàn)占地約3800平方米。宅分五進(jìn)，布局曲折，廳堂古樸。園在宅西，水池居中，約占四分之一。建筑多在池北，池南以假山為主景。有博雅堂、延光閣、旸谷書堂、思敬居、乳魚亭、思嗜軒、朝爽亭、香草居、響月廊諸勝。

　　藝圃平面略呈南北狹長的矩形，北端為庭院，由主廳博雅堂和水榭組成;中央鑿池，面積約一畝，為全園中心，水面集中，東南、西南各有水灣一處，上構(gòu)低平石橋。除北端為水榭駁岸外，其余池岸均曲屈自然，而池面則因近旁為低小建筑而顯得開闊，取網(wǎng)師園手法。池南疊假山，構(gòu)橋亭，西南置小院一所。池北岸的五間水榭，低浮于碧波之上，兩側(cè)有附屬建筑。這些建筑占據(jù)池北全部立面，這在蘇州園林中甚為少見。池南臨水置石磯，其后堆土山，山近水一面以湖石砌直壁危徑。西南以墻隔作旁院，引水灣入內(nèi)為小池，石山也延脈至此。院西方廳二間，周列湖石，種植山茶、辛夷，別有洞天。池東南的乳魚亭，為明代遺構(gòu)。其旁邊的緩曲石橋，也屬建園初期作品，都很珍貴。

　　藝圃的這種以池水、石徑、絕壁相結(jié)合的手法，取法自然而又力求超越自然，是明清時(shí)期蘇州一代造園家最為常用的布局技法。

蘇州藝圃導(dǎo)游詞 篇2

　　園林面積約5畝，現(xiàn)大致仍保留著明末清初的舊貌。林園平面呈南北狹長的矩形，最北面是庭院，由主廳博雅堂和水樹組成，中央設(shè)水池，水面約1畝左右，成為全園中心。東南、西南各出一水灣，上置平板石橋。除北面水榭處為駁岸外，其余池岸均自然曲折。取網(wǎng)師園造園技巧，近岸為低矮建筑，如茅舍漁棚，使水面顯得開闊。池南有疊石假山一屏，上有橋亭。池西南有小院，引水彎人院中，幽靜雅致。池北水榭面闊5間，兩側(cè)還有閣廊等附屬建筑。這些建筑占據(jù)了北面的全部立面，為蘇州園林所僅見。小院兩側(cè)有方廳兩間，緣池列置湖石，并種有山茶、辛夷等花木。池東南有一明代建筑，名乳魚亭，構(gòu)架古樸大方，為珍貴文物。

　　此園較多的保存了明代園林的風(fēng)格、布局和造園手法，以簡練疏朗、自然質(zhì)樸取勝，且為文震孟等名人故居所在，故具有較高的歷史價(jià)值和藝術(shù)價(jià)值。1995年列為江蘇省重點(diǎn)文物保護(hù)單位。

蘇州藝圃導(dǎo)游詞 篇3

　　藝圃地處金、閶二門間的文衙弄。園景開朗，風(fēng)格質(zhì)樸，較多地保存了建園初期的格局。有其較高的歷史與藝術(shù)價(jià)值。全園有地僅為五畝，以約占五分之一的池水為中心。水面集中，其東南及西南兩角，各有水灣伸出，并于水口之上各架形制不同的石板橋一座，故而水面顯得開闊流動(dòng)，絕無擁塞局促之感。池水之北多建筑，博雅堂為園中主要廳堂，其南端有小院，設(shè)湖石花臺，院南臨池處，建有水榭五間，兩側(cè)廂房則與池水東、西兩面的廂房相連。

　　池水之南為假山，以土堆成，臨處之處，則以湖石疊成絕壁、危徑，既多變化又較自然。于池北遠(yuǎn)望此處，山石嶙剛，樹木蔥郁，給人以奇秀之美、山林之趣，成為園中的主要對景。此種以池水、石徑、絕壁相結(jié)合的手法，為明清蘇州一代造園家所常用，取法自然而又力求超越自然。池水之東有乳魚亭，系明代遺物，外有小徑與各處相通。池水之西，有芹廬小院，以圓洞門與其它景區(qū)相隔而又相連。步入院門，即可見院中有小池，似與大池相通。這在蘇州園林中還屬于孤例。院中散置湖石花木，為園內(nèi)最為避靜之處。

　　原為明文震孟(文徵明曾孫)的藥圃，清初改現(xiàn)名，又稱敬亭山房。面積約5畝，現(xiàn)大致仍保持明末清初的舊貌。藝圃平面略呈南北狹長的矩形，北端為庭院，由主廳博雅堂和水榭組成;中央鑿池，面積約一畝，為全園中心，水面集中，東南、西南各有水灣一處，上構(gòu)低平石橋。除北端為水榭駁岸外，其余池岸均曲屈自然，而池面則因近旁為低小建筑而顯得開闊，取網(wǎng)師園手法。池南疊假山，構(gòu)橋亭，西南置小院一所。池北岸的五間水榭，低浮于碧波之上，兩側(cè)有附屬建筑。

　　這些建筑占據(jù)池北全部立面，這在蘇州園林中甚為少見。池南臨水置石磯，其后堆土山，山近水一面以湖石砌直壁危徑。西南以墻隔作旁院，引水灣入內(nèi)為小池，石山也延脈至此。院西方廳二間，周列湖石，種植山茶、辛夷，別有洞天。池東南的乳魚亭，為明代遺構(gòu)。其旁邊的緩曲石橋，也屬建園初期作品，都很珍貴。

　　藝圃為蘇州市文物保護(hù)單位。已被聯(lián)合國教科文組織列入世界文化遺產(chǎn)。

蘇州藝圃導(dǎo)游詞 篇4

　　Garden area of about 5 acres, now has kept roughly want between Ming dynasty and early qing. Gardens in north and south long and narrow rectangular plane, the north is courtyard, is composed of the main hall of boya hall and water tree, the central pool, the water for about 1 mu, become dominated center. All the monohydrate bay, southeast and southwest tablet stone bridge. In addition to the waterside pavilion in the north for the revetment, the rest of the pond shore are naturally twists and turns. Take the nets garden gardening techniques, offshore for low buildings, such as cottage fishing tents, makes the surface appear open. Fanaw had stacked stone rockery, one screen at a time on the bridge. Southwest pool has a yard, water curved courtyard, a quiet elegant. Pool north waterside pavilion surface width of 5, and cabinet gallery annex on both sides. All these buildings occupied the north facade, as seen in suzhou gardens. Yard on both sides of the square of two hall, column flange pool lake stone, such as camellia, magnolia flower plants and. Pool a Ming dynasty architecture, southeast of milk fish pavilion, the architecture of primitive simplicity and easy, for the rare and precious cultural relics.

　　The garden more preserved Ming dynasty garden style, layout and gardening technique, winning by plain simple, natural, and celebrities such as Wen Zhenmeng former residence is located, it is of high historical value and artistic value. As a key cultural relic protection unit in jiangsu province in 1995.

蘇州藝圃導(dǎo)游詞 篇5

　　My official figure art field is located in suzhou city. Art garden was built in Ming jiajing period, build drunken YingTang Yuan Zugeng, topic MenE "urban forest". Lasted for Wen Zhiming great-grandchild Wen Zhenmeng, TangMing nylon, YuanMing medicine field. Qing jiang 埰, renamed h nursery, also called JingTing mountain house, his son Jiang Shijie YuanMing easily as art field. After repeatedly. Light three or four years, Wu Xingceng Qi new. Light nineteen years, garden and silk industry fan, seven duct ccba, heavy repair. The garden between Ming dynasty and early qing keep landscapes and part of the building, is an important example of research history of landscape architecture.

　　Art field now covers an area of about 3800 square meters. House five into layout twists and turns, hall of primitive simplicity. Park in the west, pool center, accounts for about a quarter. Building more than in the north pool, fanaw rockery as main feature. Have liberal arts hall, delay light cabinet, jiyang valley book hall, thought to r, milk fish pavilion, thought eosinophilic hin, toward the great month gallery pavilion, vanilla, and rang the victory of the season.

　　Art field plane are slightly north and south long and narrow rectangle, north of the courtyard, is composed of the main hall of boya hall and waterside pavilion; Cut pool, the central area of about one mu for dominated the center, the surface concentration, southeast and southwest have water bay, on the structure low stone bridge. In addition to the north for the waterside pavilion revetment, the remaining pool shore flexor nature, while the pool surface from nearby for low small building is open, take nets garden. Fanaw stacking rockery, structure bridge pavilion, southwest a rear yard. ChiBeiAn five waterside pavilion, low floating in waves, both sides has a separate buildings. The elevation of all these buildings occupy the pool in the north, which are rare in the suzhou gardens. Stone angeles fanaw near water, followed by heap heaped-up mountains, mountain near water side wall lake stone with the dangerous path. Southwest hospital with wall, water diversion bay in the small pond, stone mountain also delay pulse at this point. Courtyard west hall, between two weeks column stone lake, cultivation of camellia, magnolia flower, see a new world. Pool pavilion, southeast of fish for traces of Ming dynasty. Next to its slow QuShiQiao that also belongs to the early days, is very precious.

　　Art field in the water, stone, unique combination of technique, determining the nature and tries to transcend the nature, is the Ming and qing dynasties suzhou generation gardening home the layout of the most commonly used techniques.